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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.

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We’re learning things every decade we grow through, and ultimately, you do end up with a different way of looking at things.
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During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.
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That’s something I’ve always appreciated watching actors that I’ve looked up to, is when they look like you and me, or they have a funny elbow, or they have, you know, a hairy face.
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I wanted to go to drama school, but when I got the part in ‘Falling,’ I got an agent, so it seemed a good idea to work.
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As beautiful as cinema is, it’s a massive part of the problem of why we look at ourselves in the way we do.
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I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,
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I don’t think I’m going to be an international sex symbol. I mean, I know I’m not going to be an international sex symbol.
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I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.
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Someone asked if I wanted to be the first female Bond, and I was saying that I don’t think we necessarily need that whole conversation.
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Feisty women are my calling!
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That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.
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If I can make my mark just a little bit, then great.
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I am learning on every job I do. There is something new every time.
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With ‘Lady Macbeth,’ I had two other things offered to me, and they would have also been very fun, but you just have to figure that out. And then you do it.
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I’m a bit of a gypsy. I live everywhere; I live out of a bag.
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