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I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,

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I like a role where some of the character’s motivations are confusing or at least interesting.
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I wanted to go to drama school, but when I got the part in ‘Falling,’ I got an agent, so it seemed a good idea to work.
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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.
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I got a really good insight into the world of wrestling.
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During the Me Too breakthrough, I was hanging out with Emma Thompson and Emily Watson – two people I’ve looked up to my entire life. Talking to those women was so empowering.
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I can definitely hold my hands up and say wrestling wasn’t something that I grew up watching.
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The one thing that I always try and take with me, if there’s, like, a remake, or you’re doing something again, is that every generation has a new story to tell.
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.
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I wrestled at the Staples Centre at ‘Monday Night Raw’ when I was 21 years old.
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I think it’s good to not edit your life too much, or you give people different standards.
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There’s always going to be pressure, and there’s always going to be an area where you disappoint. As a storyteller, you have to understand that.
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My dad still collects newspaper clippings about me.
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I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.
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You never see a normal spot, a bag under the eye or an unplucked eyebrow, because that’s not how Hollywood works.
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We actually did perform it in front of all those thousands of people. And just beforehand, we had a little dress rehearsal, and there were all these famous wrestlers going around and watching as well. Terrifying.
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