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I think there’s always some good reason to try and modernize most period things, because at the end of the day, they may have,

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The Kate Winslet thing has been a shocker. I was like, that is the most ridiculous claim.
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If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move.
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For me, it’s always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
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I used to reenact ‘Titanic’ all the time.
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And I’m a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
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The fact that I’ve been nominated for a BAFTA is insane.
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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In order for us to appreciate this world, we have to be a bit more honest, and I hope I do that.
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In ‘Fighting With My Family,’ there’s a scene where I have to wrestle; I have to do the famous fight between Paige and AJ Lee.
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I played Mary at the age of seven in my first nativity play, and I loved it – there is something so fascinating about embodying someone else.
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The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.
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I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.
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Throughout my life, I’ve been that annoying kid on every stage at school, in every talent contest.
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I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.
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