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I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.

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What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.
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What’s important is to listen before you react.
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I hope to create characters that people want to watch – and they either want to be or are, or it’s something that they recognize.
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I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
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I think it’s so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed ‘Lady Macbeth.’
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My characters do have some fantastic taste in men.
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My dad still collects newspaper clippings about me.
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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I like a face that hasn’t been tampered with.
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I’ve tried not to get too bogged down by what people want you to be.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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We’re learning things every decade we grow through, and ultimately, you do end up with a different way of looking at things.
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