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I have learned how to wrestle. You end up battered and blue – but so happy.

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In order for us to appreciate this world, we have to be a bit more honest, and I hope I do that.
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The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.
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What audiences love with series is that they can invest in characters for such a long period of time, and it’s the same for actors. You can truly tell your story; then it’s done.
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For me, it’s always been so obvious that the less we can edit our lives and more we show how normal we all are, the better.
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I love all of Kate Winslet’s characters. And Natalie Portman. If I can have a smidgen of what they’ve done, that would be awesome.
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If I can make my mark just a little bit, then great.
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We’re learning things every decade we grow through, and ultimately, you do end up with a different way of looking at things.
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I remember being about six years old, for the first day of school, and sitting in the back of a Chrysler, pretending to cry while listening to Tracy Chapman.
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There was one moment when I was in L.A., and he was teaching me a move. I just looked at him, thinking, ‘Oh my God, I’m being taught to wrestle by Dwayne Johnson. What the hell?’
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Why aren’t there these epic roles for women, for whatever age you are?
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There’s always going to be pressure, and there’s always going to be an area where you disappoint. As a storyteller, you have to understand that.
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As an actor, it’s very interesting to make the audience love you while you are doing horrendous things.
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I love Le Carre’s writing.
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I love watching faces as they grow up. It’s the difference between so many strong British actresses compared to what America does to women.
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Every time ‘Lady Macbeth’ and everyone involved in the film gets nominated, it’s amazing.
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What we don’t realise when we watch a normal film is how many times someone has run in just before a shot quickly to wipe away that sweaty moustache.
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