Well, predominately, if I’m writing for another artist, I’m sitting there with them and we’re writing it together.
FINNEASI have nothing against reverb.
More Finneas Quotes
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When I wrote ‘When the Party’s Over,’ it had a universal quality.
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I am just fascinated by music and I want to know how to identify all the things I love about it; to me music theory is like learning another language and then being able to explain how much you love something more clearly.
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All my favorite songs ever are love songs. Probably topped by ‘The Luckiest’ by Ben Folds.
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To be honest, I’ve found so many more friends in the music industry than people I disagree with. I certainly haven’t been made to feel like an outsider.
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I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
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We were a very crunchy, sort of hippie-dippy family.
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I don’t think if you set out to make an album to get a bunch of Grammy nominations… you just have to set out to make an album you’ll really love.
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Working on TV shows was fun, but I felt crazy pressured and stressed.
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I am not a very superstitious person, but I do believe in mental preparation.
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I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.
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Usually, I get bored of my stuff almost immediately.
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I think we’re always looking for ways to inject a sense of humor into our music.
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The amount of times I’ve been told something by artists I’m working with, which I’m sure they haven’t told even their significant other or families, is shocking.
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People don’t come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
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It’s important to recognize when a song remains important to you.
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