When I wrote ‘When the Party’s Over,’ it had a universal quality.
FINNEASI’m not a control freak in that like I boss everybody around, but like a control freak and like, I like knowing exactly what I get to do that day and having a say.
More Finneas Quotes
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We were a very crunchy, sort of hippie-dippy family.
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I was on a TV show called ‘Glee.’ I mean, I was on the real tail end of that show; it was already way past its peak. But still, for me aged 17 landing something like that was a big deal.
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I usually don’t like to annoy people in asking to work with them.
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The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.
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All the albums that I grew up listening to were produced by one person.
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I’ve learned a lot from my mom and my dad. I learn a lot every time I watch Billie perform.
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I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
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If you’re paying attention and you’ve been a good listener, you learn every day.
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My dreams as a kid were so far below the Grammys, like, maybe selling out a show, or, like, seeing your album on a shelf in an Urban Outfitters… and the Grammys are so far above that. It’s very ridiculous.
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I think it’s really easy to be the altruistic hero of your own narrative and story.
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Imagine if somebody was like, ‘Who’s the next Timothee Chalamet?’ It’s like, he’s currently Timothee Chalamet.
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Kids have tools to do what I’m doing.
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I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.
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If you need to record live instruments, especially drums, it’s still best to do it in a studio.
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I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
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