I don’t particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don’t want to be bound to a studio to who we’d have to pay untold sums to.
The excuse of having a dog is great, because before I had a dog, I wouldn’t be like, ‘I need to go hike for two hours’; my girlfriend would have been like, ‘What are you doing?’ Now I take the dog, and she comes with me.
If you’re thinking about all the possibilities of your life, there are extreme negatives, which you hope don’t happen, and extreme positives, which you just aren’t willing to think about because you think you’ll jinx it.
You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.
I feel like a lot of music producers have, like, the same toolbox. And I think, like, to me, as a producer, like, I want something to set my stuff apart.
I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.
I feel like the thing that I’ve learned a lot is when you’re involved in something, you don’t always get to appreciate it for what it is as much. You’re focused on the details and how you can make it better. It’s kind of torture.
