Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
FAHADH FAASILI know it’s a big gamble, but I want to do good films.
More Fahadh Faasil Quotes
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All I believe in is, you need to be yourself.
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I like to laugh and to make people laugh.
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Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
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I never wanted to be an actor but ended up being one.
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My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
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I will happily sit at home and take care of the house.
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The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil’s son, I am expected to know everything – acting, dancing, horse riding… I am not trained in all these, and I don’t think I ever will be.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
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Offscreen, I’m a private person. I’m shy and don’t know how to face the public.
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The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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When you are talking about human emotions, stardom doesn’t matter.
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I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
FAHADH FAASIL