I thoroughly enjoyed shooting for ‘Velaikkaran,’ and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
FAHADH FAASILThe less people know about you, the more you understand how beautiful life is. It’s good when you exist only on screen. I don’t want them to take me home. I love to have my privacy.
More Fahadh Faasil Quotes
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When you are talking about human emotions, stardom doesn’t matter.
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The characters I portray are an extension of what I’ve seen, heard, or read, and so what you see in my films are how I understand life.
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If I do a film, I go to the place where it is based on, interact with people, and then, I believe, you pick up things without you even noticing.
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My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
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I believe that anyone with a bit of guidance can act.
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Mistakes happen, and then you try to overcome those. I like that process.
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I am an actor, and I would like to reinvent myself through every character that I portray.
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When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
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My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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Most of the films that I do help me learn something.
FAHADH FAASIL







