I have been fortunate to collaborate with people who have been open to discussion. If I tell them something, they have always explained to me why they want it the other way.
FAHADH FAASILIt feels good to hear good things about yourself.
More Fahadh Faasil Quotes
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The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
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Mistakes happen, and then you try to overcome those. I like that process.
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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My thought process is in Malayalam. So, every time I have to work outside Malayalam, the process is a little stressful. I have to translate my Malayalam thoughts into English and back to Tamil.
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I will happily sit at home and take care of the house.
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If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.
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I don’t know how to be professional. But I always enjoy what I do.
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Whenever I have really enjoyed being part of a film, it has worked well for me.
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The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil’s son, I am expected to know everything – acting, dancing, horse riding… I am not trained in all these, and I don’t think I ever will be.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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Offscreen, I’m a private person. I’m shy and don’t know how to face the public.
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I am not affected or carried away by success or failure.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
FAHADH FAASIL