There are two kinds of films: the ones that are devoid of logic but can still hijack the audience, and those that can win them over with logic. Both kinds can succeed, and I like to work in both.
FAHADH FAASILI’ve always wanted to do a role based on a real-life person.
More Fahadh Faasil Quotes
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It doesn’t matter to me how I look on screen. What matters to me is how I connect with the audience.
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If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.
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When you are talking about human emotions, stardom doesn’t matter.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
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My films may not have a great opening, but I am not bothered about it. Whatever the numbers be, I want those viewers who come for my films to be excited about watching the movie.
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As an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
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Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
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It’s the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn’t mean I regret whatever choices I’ve made over the years. No, not even ‘Kaiyethum Doorathu!’
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for ‘Velaikkaran,’ I had to prepare for a role, which is a first for me.
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Failure is part and parcel of the process of experimenting with roles and films.
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I like to laugh and to make people laugh.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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Offscreen, I’m a private person. I’m shy and don’t know how to face the public.
FAHADH FAASIL