I want the audience to watch my films, and that is what I value more than any awards.
FAHADH FAASILWhen I choose the scripts, all I look forward to is an impressive narration.
More Fahadh Faasil Quotes
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I am a person who doesn’t like responsibility of any kind. But I do enjoy what I do.
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I feel that entertainment happens when fact and fiction is balanced.
FAHADH FAASIL -
It’s the failure of my debut film which made me an actor, which made me want to succeed in the industry. But that doesn’t mean I regret whatever choices I’ve made over the years. No, not even ‘Kaiyethum Doorathu!’
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I’m not a person who goes out of my way to change my look. I like my characters to look as natural as possible.
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The less people know about you, the more you understand how beautiful life is. It’s good when you exist only on screen. I don’t want them to take me home. I love to have my privacy.
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People know me through my characters. I don’t think they have any idea about the individual that I am. They know I am a director’s son, and I am married to an actress.
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Let me make something clear: I can’t do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
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If I do a film, I go to the place where it is based on, interact with people, and then, I believe, you pick up things without you even noticing.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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When I am with my friends, I am comfortable.
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In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for ‘Velaikkaran,’ I had to prepare for a role, which is a first for me.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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I wasn’t really sure about the kind of films I wanted to be a part of. That’s when I saw ‘Aaranya Kaandam.’ I was stunned; it was such a stylish film.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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I don’t know how to be professional. But I always enjoy what I do.
FAHADH FAASIL