“I always knew I wanted to be a musician, and I always knew I wanted to write, ’cause the people I was listening to all wrote. I never thought it was an option to sing anyone else’s songs.”

I was so shy and so quiet, and the only time I had my own voice and I could really connect with people was when I was singing or on stage.

I was very quiet until I got at the piano, and weekends, lunch breaks, after school, before school, I was just making music.

Melody is the first thing that comes to me when I’m songwriting. I learned piano classically first, and then I went into soul, and so melody has always been the first. It’s so important.

I couldn’t help but feel very different from everybody, so I think that’s why I found such a big world in music, and that’s why I kind of – I was an introvert as a kid, but I loved the piano, and that’s where I felt at home.

From when I was a kid I wanted to write. It was so important to me that I was writing my own material.

People that come to my shows are definitely people that feel outsiders. They feel like I don’t feel sexy, I don’t feel like – I can’t go out every night on Friday and I can’t connect to that, and I feel so much pressure to do that.

I feel like ‘Next To Me’ is a great introduction because it’s a simple song that has a simple message for me. I wanted to introduce something that lyrically I’m proud of and introduces me both as an artist and as a writer.

Any song I have to work on longer than a day, I just leave it. It’s not gonna work. Everything that’s good is really instant.

I try to speak of a love that not necessarily romantic. I think there is so much love between people and so much love people want to give but it’s harder and harder these days to show that, to celebrate that, you know?

I wanted to make an album that melodically people can connect to; something that reflects our times and the kinds of difficulties we face.

I tried to bang down a lot of doors but Virgin were the only label who believed in what I was doing. I ended up with the label that understood what I was trying to do.

The focus is on singer/songwriters now rather than huge shows. I mean, of course there’s always a place for that too.

I mean, there’ll always be room for big productions and everything but it’s good to see the other side.

Anytime I write something that’s trying to be too smart, it doesn’t work.

I’m not too bothered about what category my music goes in and there’s no point in limiting in who you can reach, but I want it to be respected.

It would be sad if we lost our instinct and our courage to love and protect.

It was only until I started to be myself that the music started to flow and people started to listen. So, thank you guys.

In life, you can blame a lot of people and you can wallow in self-pity or you can pick yourself up and say listen, I have to be responsible for myself.

He was healthier than the rest of us, but when you listened with the stethoscope you could hear the tears bubbling inside his heart.

It’s not about what you’re saying, it’s about how you listen.

You must walk to the beat of a different drummer. The same beat that the wealthy hear. If the beat sounds normal, evacuate the dance floor immediately! The goal is to not be normal, because as my radio listeners know, normal is broke.

When I listen to music my heart opens and the words spill out.

You can’t fake listening. It shows.

Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don’t like – then cultivate it. That’s the only part of your work that’s individual and worth keeping.