“I think people don’t realize how many hours of practice goes into becoming a musician and getting better.”

I don’t know if I was as ambitious as to change the world, but I do feel like – the reason why I called the album “Our Version of Events” was that I feel a lot of people are not represented in pop music and popular culture.

Clown’ was written when I couldn’t find anyone who believed in me as an artist. Maybe those labels will think twice next time a young songwriter comes along.

Sometimes you feel like a very small drop in this huge ocean.

I’d be smiling if I wasn’t so desperate. I’d be patient if I had the time.

I was so shy and so quiet, and the only time I had my own voice and I could really connect with people was when I was singing or on stage.

I was very quiet until I got at the piano, and weekends, lunch breaks, after school, before school, I was just making music.

Melody is the first thing that comes to me when I’m songwriting. I learned piano classically first, and then I went into soul, and so melody has always been the first. It’s so important.

I couldn’t help but feel very different from everybody, so I think that’s why I found such a big world in music, and that’s why I kind of – I was an introvert as a kid, but I loved the piano, and that’s where I felt at home.

From when I was a kid I wanted to write. It was so important to me that I was writing my own material.

People that come to my shows are definitely people that feel outsiders. They feel like I don’t feel sexy, I don’t feel like – I can’t go out every night on Friday and I can’t connect to that, and I feel so much pressure to do that.

I feel like ‘Next To Me’ is a great introduction because it’s a simple song that has a simple message for me. I wanted to introduce something that lyrically I’m proud of and introduces me both as an artist and as a writer.

Any song I have to work on longer than a day, I just leave it. It’s not gonna work. Everything that’s good is really instant.

I try to speak of a love that not necessarily romantic. I think there is so much love between people and so much love people want to give but it’s harder and harder these days to show that, to celebrate that, you know?

I wanted to make an album that melodically people can connect to; something that reflects our times and the kinds of difficulties we face.

I tried to bang down a lot of doors but Virgin were the only label who believed in what I was doing. I ended up with the label that understood what I was trying to do.

The focus is on singer/songwriters now rather than huge shows. I mean, of course there’s always a place for that too.

One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.

Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.

I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.

If you want to be a doctor, a lawyer you must go to college. But if you want to be a musician or such, study your craft. Study music.

You’re always as a musician trying to shock yourself or create music that’s maybe even too weird for your own taste.

You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can’t do that if you’re a musician.

I’m not a jazz singer.

[Louis Armstrong] was the only musician who ever lived, who can’t be replaced by someone.