“I think people don’t realize how many hours of practice goes into becoming a musician and getting better.”

Melody is the first thing that comes to me when I’m songwriting. I learned piano classically first, and then I went into soul, and so melody has always been the first. It’s so important.

I couldn’t help but feel very different from everybody, so I think that’s why I found such a big world in music, and that’s why I kind of – I was an introvert as a kid, but I loved the piano, and that’s where I felt at home.

From when I was a kid I wanted to write. It was so important to me that I was writing my own material.

People that come to my shows are definitely people that feel outsiders. They feel like I don’t feel sexy, I don’t feel like – I can’t go out every night on Friday and I can’t connect to that, and I feel so much pressure to do that.

I feel like ‘Next To Me’ is a great introduction because it’s a simple song that has a simple message for me. I wanted to introduce something that lyrically I’m proud of and introduces me both as an artist and as a writer.

Any song I have to work on longer than a day, I just leave it. It’s not gonna work. Everything that’s good is really instant.

I try to speak of a love that not necessarily romantic. I think there is so much love between people and so much love people want to give but it’s harder and harder these days to show that, to celebrate that, you know?

I wanted to make an album that melodically people can connect to; something that reflects our times and the kinds of difficulties we face.

I tried to bang down a lot of doors but Virgin were the only label who believed in what I was doing. I ended up with the label that understood what I was trying to do.

The focus is on singer/songwriters now rather than huge shows. I mean, of course there’s always a place for that too.

I mean, there’ll always be room for big productions and everything but it’s good to see the other side.

Anytime I write something that’s trying to be too smart, it doesn’t work.

I always knew I wanted to be a musician, and I always knew I wanted to write, ’cause the people I was listening to all wrote. I never thought it was an option to sing anyone else’s songs.

I’m not too bothered about what category my music goes in and there’s no point in limiting in who you can reach, but I want it to be respected.

It would be sad if we lost our instinct and our courage to love and protect.

Songwriting is my main thing. I know that I’ll do that for the rest of my life.

Everything I hear influences me. I can’t tell you all my influences as a musician.

The memory of things gone is important to a jazz musician.

Musicians don’t retire; they stop when there’s no more music in them.

Being known for musicals is a great thing.

Just as musicians feel about scores and melodies, dancers about the steps and flow of music, so we’re one with the principle of flight, the magic of being aloft in the wind!

Music is a universal language insofar as you don’t need to know anything else about a musician that you are playing with other than that they can play music.

You have to be ready, and also you have to discard notions that are fondly held by a lot of musicians, about sequences and notes and about scales and musical systems as a whole. If you think of music as a language, the space part is where you throw out all the syntax.

I’m an ‘evolve or die’ kind of a musician. I think it’s cool to try new things.