“Too many young musicians today want to win polls before they learn their instruments.”

Some of the guys I played with .. didn’t go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means.

I’d imagine that a lot of them criticized me-said my technique was too good. Something like that. But I’ve always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.

As soon as it was understood that we could handle things in our own way, it was the thrill of my life to walk out on that stage with people just hemming the band in.

If a guy’s got it, let him give it. I’m selling music, not prejudice.

Creativity grows out of two things: curiosity & imagination.

There was a lot of playing going on, and the New Yorkers, of course, were a completely different crowd from what I’d known.

If you want to do something, you do it anyway, and handle the obstacles as they come.

I remember Glenn Miller coming to me once, before he had his own band, saying, How do you do it? How do you get started? It’s so difficult. I told him, I don’t know but whatever you do don’t stop. Just keep on going.

You have to have the courage and confidence in your own ability. You have to know what the hell and who the hell you are in this business. Music may change, but I don’t think that ever will.

If I have something I want to do, I make a business of doing it.

I don’t have any great love for Chicago. What the hell, a childhood around Douglas Park isn’t very memorable. I remember the street fights and how you were afraid to cross the bridge ’cause the Irish kid on the other side would beat your head in. I left Chicago a long time ago.

There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.

People have often said to me, ‘You’re so relaxed when you play.’ Relaxed my elbow. It’s practice.

I’d never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did.

To this day, I don’t like people walking on stage not looking good. You have to look good. If you feel special about yourself then you’re going to play special.

When I first arrived (in New York), it seemed to me the most terrifying city in the world… all those big buildings.

I didn’t follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

Musicians want to be the loud voice for so many quiet hearts.

Historically, musicians know what it is like to be outside the norm – walking the high wire without a safety net. Our experience is not so different from those who march to the beat of different drummers.

Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

I didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.

I’m 90% performer, 10% musician. I’ve always said that Gossip are a band I would go see, not a band I would listen to.

Like family, we are tied to each other. This is what all good musicians understand.

Musicians now find themselves in the unlikely position of being legitimate. At least the IRS thinks so.