It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
ELENA FERRANTEWe lie in order to tolerate our existence and, most of all, we lie to ourselves.
More Elena Ferrante Quotes
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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Anonymity lets me concentrate exclusively on writing.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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The rules say that to tell a story you need first of all a measuring stick.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
ELENA FERRANTE