“Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.”

As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.

I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.

Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.

The rules say that to tell a story you need first of all a measuring stick.

At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.

He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.

Those who write need that “willing suspension of disbelief “, as Coleridge called it.

I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.

The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.

Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.

Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.

I believe that books, once they are written, have no need of their authors.

In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.

The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.

I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.