The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
ELENA FERRANTEIt’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
More Elena Ferrante Quotes
-
-
I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
ELENA FERRANTE -
Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
ELENA FERRANTE -
Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
ELENA FERRANTE -
Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
ELENA FERRANTE -
As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
ELENA FERRANTE -
Anonymity lets me concentrate exclusively on writing.
ELENA FERRANTE -
We lie in order to tolerate our existence and, most of all, we lie to ourselves.
ELENA FERRANTE -
My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
ELENA FERRANTE -
It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
ELENA FERRANTE -
Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
ELENA FERRANTE -
I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
ELENA FERRANTE -
I didn’t choose anonymity.Instead, I chose absence.
ELENA FERRANTE -
Those who write need that “willing suspension of disbelief “, as Coleridge called it.
ELENA FERRANTE -
In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
ELENA FERRANTE -
I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
ELENA FERRANTE