It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
ELENA FERRANTEI no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
More Elena Ferrante Quotes
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I believe that books, once they are written, have no need of their authors.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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The rules say that to tell a story you need first of all a measuring stick.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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I didn’t choose anonymity.Instead, I chose absence.
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Anonymity lets me concentrate exclusively on writing.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
ELENA FERRANTE