A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
ELENA FERRANTEA calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
ELENA FERRANTEI don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
ELENA FERRANTECertainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
ELENA FERRANTEI have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
ELENA FERRANTEI had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
ELENA FERRANTEEven as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
ELENA FERRANTEExistence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
ELENA FERRANTEAs a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
ELENA FERRANTEThere was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
ELENA FERRANTEThe essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
ELENA FERRANTEThe fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
ELENA FERRANTEI think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
ELENA FERRANTEIn order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
ELENA FERRANTEClimbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
ELENA FERRANTEThose who write need that “willing suspension of disbelief “, as Coleridge called it.
ELENA FERRANTEI am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
ELENA FERRANTE