It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
ELENA FERRANTEI believe that books, once they are written, have no need of their authors.
More Elena Ferrante Quotes
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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Anonymity lets me concentrate exclusively on writing.
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Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
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Writers, because they write, are condemned never to be readers of their own stories…The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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Existence is this, I thought, a start of joy, a stab of pain, an intense pleasure, veins that pulse under the skin, there is no other truth to tell.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
ELENA FERRANTE