I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
ELENA FERRANTEI believe that books, once they are written, have no need of their authors.
More Elena Ferrante Quotes
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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I believe that books, once they are written, have no need of their authors.
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Women, in all fields – whether mothers or not – still encounter an extraordinary number of obstacles. They have to hold too many things together and often sacrifice their aspirations in the name of affections.
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Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
ELENA FERRANTE