I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
ELENA FERRANTEMy work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
More Elena Ferrante Quotes
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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The essential, however, was to know how to play, and she and I, only she and I, knew how to do it.
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I am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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I didn’t choose anonymity.Instead, I chose absence.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
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Is it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
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He was going through one of those moments that you read about in books, when a character reacts in an unexpectedly extreme way to the normal discontents of living.
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The rules say that to tell a story you need first of all a measuring stick.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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I believe that books, once they are written, have no need of their authors.
ELENA FERRANTE