I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
ELENA FERRANTEIs it possible that even happy moments of pleasure never stand up to a rigorous examination? Possible.
More Elena Ferrante Quotes
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I have always paid careful attention to social and economic conflicts, to the dialectic – if we can call it that – between high and low. Maybe it’s because I was not born or brought up in affluence.
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The circle of an empty day is brutal and at night it tightens around your neck like a noose
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Certainly something had happened to me during the night. Or after months of tension I had arrived at the edge of some precipice and now I was falling, as in a dream slowly, even as I continued to hold the thermometer in my hand, een as I stood with the soles of my slippers on the floor.
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My work stops at publication. If the books don’t contain in themselves their reasons for being – questions and answers – it means I was wrong to have them published.
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Those who write need that “willing suspension of disbelief “, as Coleridge called it.
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I no longer protect myself from the world I grew up in. Rather, today I try to protect the feelings I have for that world, the emotional space where my desire to write first took hold, and still grows.
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I believe that books, once they are written, have no need of their authors.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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As a girl – twelve, thirteen years old – I was absolutely certain that a good book had to have a man as its hero, and that depressed me.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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Anonymity lets me concentrate exclusively on writing.
ELENA FERRANTE