Those who write need that “willing suspension of disbelief “, as Coleridge called it.
ELENA FERRANTEI am the queen of spades, I am the wasp that stings, I am the dark serpent. I am the invulnerable animal who passes through fire and is not burned.
More Elena Ferrante Quotes
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Climbing the economic ladder has been very hard for me; I still feel a great deal of guilt towards those I left behind.
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At most, I may write when I am disturbed by something. I have recently discovered the pleasure of finding written answers to written questions.
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In order not to cut out a large part of one’s private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
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It’s the people who love us or hate us – or both – who hold together the thousands of fragments we are made of.
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We lie in order to tolerate our existence and, most of all, we lie to ourselves.
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Even as I felt myself solidly contained by the expectant looks of my children. It was the fault of the torture that my husband had inflicted. But enough, I had to tear the pain from memory, I had to sandpaper away the scratches that were damaging my brain.
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I don’t have any special passion for politics, it being a never-ending merry-go-round of bosses big and small, all generally mediocre. I actually find it boring.
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The fictional treatment of biographical material – a treatment that for me is essential – is full of traps.
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Competition between women is good only if it does not prevail; that is to say if it coexists with affinity, affection, with a real sense of being mutually indispensable, with sudden peaks of solidarity in spite of envy, jealousy and the whole inevitable cohort of bad feelings.
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Writing for me is a dragnet that carries everything away with it: expressions and figures of speech, postures, feelings, thoughts, troubles. In short, the lives of others.
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Anonymity lets me concentrate exclusively on writing.
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I didn’t choose anonymity.Instead, I chose absence.
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I had to discover very quickly that class origins cannot be erased, regardless of whether we climb up or down the sociocultural ladder.
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There was something unbearable in the things, in the people, in the buildings, in the streets that, only if you reinvented it all, as in a game, became acceptable.
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A calendar, you have to calculate how much time has passed between you and the facts, the emotions to be narrated.
ELENA FERRANTE