I don’t believe in an art that is not born out of man’s need to open his heart.
EDVARD MUNCHJust as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls.
More Edvard Munch Quotes
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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Without fear and disease, my life would be like a boat without oars.
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Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls.
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There is a battle that goes on between men and women. Many people call it love.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light.
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One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
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A work of art comes only from inside a human being.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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My will exceeds my talents.
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The camera will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell.
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution.
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Colors live a remarkable life of their own after they have been applied to the canvas.
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I do not believe in the art which is not the compulsive result of man’s urge to open his heart.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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When I paint a person, his enemies always find the portrait a good likeness.
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Art comes from joy and pain, But mostly from pain.
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Photography is an art which touches and grips one’s own heart’s blood.
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Anybody who perceives colors can become a painter. It’s simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
EDVARD MUNCH