Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
EDVARD MUNCHYouth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
More Edvard Munch Quotes
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Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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The camera will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell.
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I sense a scream passing through nature. I painted the clouds as actual blood. The colour shrieked.
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My will exceeds my talents.
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A work of art can only come from the interior of man. Art is the form of the image formed upon the nerves, heart, brain and eye of man.
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Anybody who perceives colors can become a painter. It’s simply a question of whether or not one has felt anything and whether one has the courage to recount the things one has felt.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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I do not paint what I see, but what I saw.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
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From my rotting body, flowers shall grow and I am in them and that is eternity.
EDVARD MUNCH