One can easily tell that the creator of the paintings in the Sistine Chapel was above all a sculptor.
EDVARD MUNCHA person himself believes that all the other portraits are good likenesses except the one of himself.
More Edvard Munch Quotes
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This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution.
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Nature is not only all that is visible to the eye. it also includes the inner pictures of the soul.
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The way one sees is also dependent upon one’s emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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The camera will never compete with the brush and the palette, until such time as photographs can be taken in Heaven or Hell.
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From my rotting body, flowers shall grow and I am in them and that is eternity.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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Just as Leonardo da Vinci studied human anatomy and dissected corpses, so I try to dissect souls.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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And I would often wake up at night and stare widely into the room: Am I in Hell?
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it.
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Colors live a remarkable life of their own after they have been applied to the canvas.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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In common with Michelangelo and Rembrandt I am more interested in the line, its rise and fall, than in color.
EDVARD MUNCH