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Bring the viewer to your side, include him in your thought. He is not a bystander.

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Bystanders Perception Side Thought Viewer

Bagwalas

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The good photograph is not the object, the consequences of the photograph are the objects.
DOROTHEA LANGE

Consequence Good Object Photo Photograph
Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
DOROTHEA LANGE

Eye Life More Phenomenon Photography Psychological
To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
DOROTHEA LANGE

Ahead Along False Know Limit Look Mean Own Photographer Photography Preconception Put
To me, beauty appears when one feels deeply, and art is an act of total attention.
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Act Appear Art Attention Beauty Deeply Feel Total
Sometimes in a hostile situation you stick around because hostility itself is important.
DOROTHEA LANGE

Around Hostile Important Itself Situation Sometimes
One should really use the camera as though tomorrow you’d be stricken blind.
DOROTHEA LANGE

Blind Camera Photography Realy Styricken Tomorrow Use
I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
DOROTHEA LANGE

Camera Important Poor Pride Spirit Strength Thing
The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
DOROTHEA LANGE

Consequences Good Lens Object Photograph Photography
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
DOROTHEA LANGE

Along Around Body Camera Life Neck People Share Shoes Show
One should really use the camera as though tomorrow you’d be stricken blind.
DOROTHEA LANGE

Blind Camera Photography Reality Stricken Tomorrow
To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.
DOROTHEA LANGE

Enormous Life Live Touch Undertaking Visual
Life, for people, begins to crumble on the edges; they don’t realize it.
DOROTHEA LANGE

Crumble Edge Enormous People Realizing
A documentary photograph is not a factual photograph.
DOROTHEA LANGE

Documentaries Factual Life Photography
I believe in living with the camera, and not using the camera.
DOROTHEA LANGE

Believe Camera Live Use
Bring the viewer to your side, include him in your thought. He is not a bystander.
DOROTHEA LANGE

Bystanders Perception Side Thought Viewer
You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
DOROTHEA LANGE

Breath Hope Moment Stand Still Wait Waiting

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