I don’t like the word ironic. I like the word absurdity, and I don’t really understand the word ‘irony’ too much. The irony comes when you try to verbalize the absurd. When irony happens without words, it’s much more exalted.
I like darkness and confusion and absurdity, but I like to know that there could be a little door that you could go out into a safe life area of happiness.
All my movies are about strange worlds that you can’t go into unless you build them and film them. That’s what’s so important about film to me. I just like going into strange worlds.
I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it. That’s why I love coffee shops and public places – I mean, they’re all out there.
Film noir has a mood that everyone can feel. It’s people in trouble, at night, with a little bit of wind and the right kind of music. It’s a beautiful thing.
We’re all like detectives. We want to figure things out. Life, you know, we want to figure out life, and we want to figure out what’s going on, so it’s beautiful. It’s beautiful that people are thinking.
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