And these children that you spit on as they try to change their worlds are immune to your consultations. They’re quite aware of what they’re going through.
There’s a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I’ve used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
There, in the chords and melodies, is everything I want to say. The words just jolly it along. It’s always been my way of expressing what for me is inexpressible by any other means.
I have found myself deeply, deeply intrigued by the ska-punk scene. It’s such an expressive form of popular music, it’s so real, it’s got so much life: it’s the most vital music in the world.
I don’t have stylistic loyalty. That’s why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
I hate albums that are really happy. When I am really happy, I don’t like to hear happy albums, and when I am really sad I don’t wanna hear happy albums… and I tend to gravitate towards the lonely and isolated anyway when I write.
