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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

Darren Aronofsky

I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
DARREN ARONOFSKY

Teacher Thinking Writing
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY

Language Months Way
These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
DARREN ARONOFSKY

Drama Garden Insurance Running
I’ve tried to take a chance with every film I’ve done – I’ve never done it the easy way, and I think that’s because that’s what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
DARREN ARONOFSKY

Challenge Done Easy Front Trying
I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY

Actor Artistry Moment Sure Working
Comic books and graphic novels are a great medium. It’s incredibly underused.
DARREN ARONOFSKY

Book Comic Graphics Novel
That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
DARREN ARONOFSKY

Goal Moment Upsetting
I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY

Art Fans Thinking
Angel Heart’ was one of my favorite films.
DARREN ARONOFSKY

Angel Film Heart
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY

Long Religious Thinking
I don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
DARREN ARONOFSKY

Gimmicks Sticks Thinking
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
DARREN ARONOFSKY

Creating Growing Mean
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY

Filmmaking Narrative Theme
It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
DARREN ARONOFSKY

Creativity Differences Jobs
I think people are people and if their feelings are real and truthful, they can connect.
DARREN ARONOFSKY

People Real Thinking
For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY

Bars Giving Long

I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

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I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.

Related Topics

Popular Authors

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