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I think people are people and if their feelings are real and truthful, they can connect.

Darren Aronofsky

I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
DARREN ARONOFSKY

Filmmaking Narrative Theme
I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
DARREN ARONOFSKY

Teacher Thinking Writing
These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
DARREN ARONOFSKY

Drama Garden Insurance Running
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY

Actors Thinking Years
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY

Long Religious Thinking
For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY

Bars Giving Long
Also expressionistic filmmaking – making the audience feel like they were inside the characters’ heads. And so we create all these different types of techniques to put the audience there.
DARREN ARONOFSKY

Character Different Technique
That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
DARREN ARONOFSKY

Goal Moment Upsetting
I’ve been joking that if Madonna taught us anything, you’ve got to reinvent yourself. I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
DARREN ARONOFSKY

Art Challenges Thinking
I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
DARREN ARONOFSKY

Choice Jobs Thinking
It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
DARREN ARONOFSKY

Creativity Differences Jobs
I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY

Actor Artistry Moment Sure Working
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY

Language Months Way
I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY

Art Hip Hop Movie Music
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
DARREN ARONOFSKY

Fall Real Summer
Animators have to live life 24 times as long as we do – every 24 frames of a second.
DARREN ARONOFSKY

Chance Life Live Long Second

I think people are people and if their feelings are real and truthful, they can connect.

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I think people are people and if their feelings are real and truthful, they can connect.

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