I want to paint the air in which the bridge, the house and the boat are to be found – the beauty of the air around them, and that is nothing less than the impossible.
One’s better off alone, and yet there are so many things that are impossible to fathom on one’s own. In fact it’s a terrible business and the task is a hard one.
I’m enjoying the most perfect tranquillity, free from all worries, and in consequence would like to stay this way forever, in a peaceful corner of the countryside like this.
I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.
I sometimes feel ashamed that I am devoting myself to artistic pursuits while so many of our people are suffering and dying for us. It’s true that fretting never did any good.
Perhaps it’s true that I’m very hard on myself, but that’s better than exhibiting mediocre work… too few were satisfactory enough to trouble the public with.
I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
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