I try to emulate his approach of really get the most out of people by allowing them to experiment and certainly allowing people to make mistakes.
BRIAN HENSONThere’s an awful lot of scenes where we don’t know what the scene’s going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.
More Brian Henson Quotes
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I had a plan, but then I work with an army of great artists and I want all of them to create inside that creation.”
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And that was always my father’s favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.
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We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it’s sort of the tone and flavor, always, of the puppet work that we’ve done traditionally. And that’s what brought us here and now we’re here.
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You get used to it, you look forward to the adrenaline of the stage fright before you go out.
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It’s actually good when the performers are nervous, because it kind of sharpens up your brain and a little bit of adrenaline is good. Initially it’s really tough.
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This is certainly the raunchiest, if you use that word, raunchy. The roots of Jim Henson, though, was adult comedy.
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To anyone who’s trying to be an artist, in any medium, it’s a very odd and lonely and nerve-wracking and scary process when you let anybody see what you’re working on.
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The challenge is, well, there’s a huge challenge, which is when you’re improvising, you’re meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
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People would say to him, “When you finish a movie, did it come out as good as you thought it was going to?” Or, “Did it come out the way you intended it to come out?”
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So while you’re trying to improvise, you’re also trying to puppeteer, you’re doing everything that you need to do to perform a puppet in our style, for a camera.
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We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we’ve have audiences that don’t really want us to go too far in that direction.
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Oh, well, I can’t tell you; it would be telling you the end. It’s a one-character lip-syncing because in the early days, that’s what my dad was doing.
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But the fact that most of the show you can’t be prepared for, you have no idea really what’s coming is initially very nerve wracking, by now, it’s kind of fun.
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And it should be something that only that group of people could’ve made with everybody invested.
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And with puppets, especially in our company, we sort of demand a very high standard of puppetry, so it’s a real technical skill.
BRIAN HENSON