So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
BRIAN ENOI wanted to get rid of the element that had been considered essential in pop music: the voice.
More Brian Eno Quotes
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
BRIAN ENO -
The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
BRIAN ENO -
Everything good proceeds from enthusiasm.
BRIAN ENO -
You don’t have to act as if you know what you’re doing
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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Lyrics are the only thing to do with music that haven’t been made easier technically.
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One often makes music to supplement one’s world.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
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Look closely at the most embarrassing details, and amplify them.
BRIAN ENO