The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
BRIAN ENOI hate the way CDs just drone on for bloody hours and you stop caring.
More Brian Eno Quotes
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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I hate the rock music tradition. I can’t bear it!
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Think inside the work – outside the work
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I often work by avoidance.
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I wanted to get rid of the element that had been considered essential in pop music: the voice.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO