In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENOLet’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
More Brian Eno Quotes
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENO -
Ambient music is intended to induce calm and a space to think.
BRIAN ENO -
Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
BRIAN ENO -
I wanted to get rid of the element that had been considered essential in pop music: the voice.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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I despise computers in many ways. I think they’re hopelessly underevolved and overrated.
BRIAN ENO -
In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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Anything popular is populist, and populist is rarely a good adjective.
BRIAN ENO -
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
BRIAN ENO -
A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
BRIAN ENO