The biology of purpose keeps my nose above the surface.
BRIAN ENOBut now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
More Brian Eno Quotes
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I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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All the best lyrics are written in ten minutes.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
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Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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Be the first to not do what nobody has ever thought of not doing before.
BRIAN ENO