Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENOWhen people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
More Brian Eno Quotes
-
-
In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
BRIAN ENO -
A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
BRIAN ENO -
I’m not interested in possible complexities. I regard song structure as a graph paper.
BRIAN ENO -
I believe in singing.
BRIAN ENO -
I see TV as a picture medium rather than a narrative medium.
BRIAN ENO -
But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO -
The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
BRIAN ENO -
The most important thing is the thing most easily forgotten.
BRIAN ENO -
You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
BRIAN ENO -
Admirers can be a tremendous force for conservatism.
BRIAN ENO -
A part of me has become immortal, out of my control.
BRIAN ENO -
One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
BRIAN ENO -
The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENO -
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENO -
Most game music is based on loops effectively.
BRIAN ENO






