Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
BRIAN ENOAmbient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
More Brian Eno Quotes
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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Try to make things that can become better in other people’s minds than they were in yours.
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Ambient music is intended to induce calm and a space to think.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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Saying that cultural objects have value is like saying that telephones have conversations.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
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The artists of the past who impressed me were the ones who really focused their work.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
BRIAN ENO