Be the first to not do what nobody has ever thought of not doing before.
BRIAN ENOIf I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
More Brian Eno Quotes
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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Painting, I think it’s like jazz.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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One often makes music to supplement one’s world.
BRIAN ENO