Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
BRIAN ENOSo, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
More Brian Eno Quotes
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENO -
Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
BRIAN ENO -
When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
BRIAN ENO -
I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
BRIAN ENO -
You don’t have to act as if you know what you’re doing
BRIAN ENO -
The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENO -
Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
BRIAN ENO -
The idea that something is uncool because it’s old or foreign has left the collective consciousness.
BRIAN ENO -
What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
BRIAN ENO -
Painting, I think it’s like jazz.
BRIAN ENO -
In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
BRIAN ENO -
Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
BRIAN ENO -
Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO






