I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENOI’m not interested in possible complexities. I regard song structure as a graph paper.
More Brian Eno Quotes
-
-
So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
BRIAN ENO -
We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO -
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
BRIAN ENO -
I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
BRIAN ENO -
What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
BRIAN ENO -
You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
BRIAN ENO -
As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
BRIAN ENO -
Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
BRIAN ENO -
I occasionally meet people and they say, ‘Oh, I was born to Discreet Music’… They always have very weird eyes, those people.
BRIAN ENO -
The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
BRIAN ENO -
The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
BRIAN ENO -
It’s amazing how quickly people get used to bad quality.
BRIAN ENO -
Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO -
The problem with computers is that there is not enough Africa in them.
BRIAN ENO -
Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
BRIAN ENO