All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
BRIAN ENOIn the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
More Brian Eno Quotes
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The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
BRIAN ENO -
Let’s do something else.”And you always think “Oh my God I’ve never done anything at all like that before.” But, of course, in retrospect, and to an outsider, they’ll say, “Oh, yeah that’s typical Eno.
BRIAN ENO -
When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENO -
Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
BRIAN ENO -
The handbook always tells you what it does, and you can be quite sure that if it’s a complex device it can do at least fifteen other things that weren’t predicted in the handbook, or that they didn’t consider desirable. It’s normally those other things that interest me.
BRIAN ENO -
The most important thing is the thing most easily forgotten.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
Perhaps when music has been shouting for so long, a quieter voice seems attractive.
BRIAN ENO -
Lyrics are the only thing to do with music that haven’t been made easier technically.
BRIAN ENO -
I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.
BRIAN ENO -
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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You don’t have to act as if you know what you’re doing
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENO