The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
BRIAN ENOMy lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
More Brian Eno Quotes
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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I believe in singing.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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Be the first to not do what nobody has ever thought of not doing before.
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American television really is pathetic.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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Every collaboration helps you grow.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
BRIAN ENO