Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
BRIAN ENOI thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
More Brian Eno Quotes
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For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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I don’t like headphones very much, and I rarely listen to music on headphones.
BRIAN ENO -
The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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Look closely at the most embarrassing details, and amplify them.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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It’s amazing how quickly people get used to bad quality.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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People do dismiss ambient music, don’t they? They call it ‘easy listening,’ as if to suggest that it should be hard to listen to.
BRIAN ENO