I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENOEmotion creates reality, reality demands action.
More Brian Eno Quotes
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Emotion creates reality, reality demands action.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
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I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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I want to rethink surrender as an active verb.
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Ambient music is intended to induce calm and a space to think.
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I hate the way CDs just drone on for bloody hours and you stop caring.
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Lyrics are the only thing to do with music that haven’t been made easier technically.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
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Sometimes they’re of my own creation, as well – and they’re just as annoying. It’s not only other people’s ear worms that bug me, it’s my own, as well.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO