Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLISPeople are afraid to merge.
More Bret Easton Ellis Quotes
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
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On the seals’ tank a plaque warns: COINS CAN KILL–IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL’S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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I feel like I’m not smart enough to answer the questions I’m asked.
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I have to return some videotapes
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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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Why was I holding on to something that would never be mine? But isn’t that what people do?
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But this road doesn’t go anywhere,” I told him. “That doesn’t matter.” “What does?” I asked, after a little while. “Just that we’re on it, dude,” he said.
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I don’t know why I write what I write.
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One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
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I kept staring into the blackness of the woods, drawn into the darkness as I always had been. I suddenly realized how alone I was. (But this is how you travel, the wind whispered back, this is how you’ve always lived.)
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How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
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Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS






