I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say “I love you I love you I love you” while stripping. I want you so bad it stings.
BRET EASTON ELLISBaby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.
More Bret Easton Ellis Quotes
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I don’t know why I write what I write.
BRET EASTON ELLIS -
Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
BRET EASTON ELLIS -
People are afraid to merge.
BRET EASTON ELLIS -
Do you wear a diaphragm everywhere you go?’ I want to scream, but stop myself because the idea really excites me.
BRET EASTON ELLIS -
I’ve been accused of being very vain about my apathy.
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
BRET EASTON ELLIS -
And though the coldness I have always felt leaves me, the numbness doesn’t and probably never will. this relationship will probably lead to nothing… this didn’t change anything. I imagine her smelling clean, like tea.
BRET EASTON ELLIS -
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLIS -
He was simply someone who floated through our lives and didn’t seem to care how flatly he perceived everyone or that he’d shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all.
BRET EASTON ELLIS -
My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS -
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS -
Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS -
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLIS