At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLISDisappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
More Bret Easton Ellis Quotes
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I don’t know why I write what I write.
BRET EASTON ELLIS -
So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?” “Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He…ate a balanced diet.
BRET EASTON ELLIS -
Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
BRET EASTON ELLIS -
I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
BRET EASTON ELLIS -
I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
BRET EASTON ELLIS -
I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS -
After a while you learn that everything stops.
BRET EASTON ELLIS -
I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
BRET EASTON ELLIS -
I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
BRET EASTON ELLIS -
I move on in search of a less dorky target. Though if he’d been a mime, odds are he’d already be dead.
BRET EASTON ELLIS -
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS -
How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
BRET EASTON ELLIS